After weeks of erratic broadcast schedules that left viewers on edge,American television officially returns to the ratings race.— and this week is considered one of the weeksthe most potentEarly 2026. From the hit Chicago series to new titles expected to take the box office by storm, this release schedule…Not for the faint of heart..

🔥 High Potential Returns and Instant Rating Pressure

One of the biggest highlights this week is the return ofHigh PotentialThis crime series, featuring a highly intelligent female protagonist, is being strategically positioned by ABC, suggesting they believe it could be a hit.new trump card.

After the initial episodes that sparked intense curiosity, High Potential enters a phase where it must prove itself:Break through or be eliminated.All eyes are on the audience’s reaction to this comeback.

🚨 Chicago One Launches Simultaneous Attack: A Three-Pronged Strike

No need for excessive promotion; just mentioning the name is enough to excite fans.Chicago OneThe full squad has returned.

• Chicago FireTensions continue to escalate with life-or-death rescue operations and increasingly dangerous internal conflicts.
• Chicago MedThe emotional aftershocks from the personnel changes leave viewers constantly asking questions:Who will be the next to leave?
• Chicago P.D.The intensity never wanes with dark cases, blurred ethical boundaries, and decisions that could destroy the entire team.

Three series, three different styles, but they all share one thing in common:no compromise.

📺 The Prime Time War BEGINS

This simultaneous return transforms weekday evening time slots intoThe real battleground of ratingsEach episode not only competes for viewers, but also serves as a survival test for the long-term future of each series.

These week’s ratings will decide:

• Which film will be given the opportunity to continue?
• Which films were pushed into the “danger zone”?
• And which films may be replaced without prior notice?

💣 Viewers, prepare for bad news… or a major shock?

When series return after a break, that’s also when writers start working on their projects.They often deliver the most brutal plot twists.To keep viewers engaged. No one is safe. No character is guaranteed.

This week isn’t just about watching movies — it’s about…Witnessing American television’s self-purification..

Will High Potential be strong enough to compete with the “big players”…?
Or will Chicago One continue to dominate prime time with relentless attacks?